Thank you for the (toujours déjà) brain candy.
The most interesting part of my over two decade journey of discovery, is the thoughts that people have shared with me regarding what my work brought forth from within them.
Emerging from my abstract photography were numerous impressions from individuals from which I altered the course of my investigations.
I called these events, Coin Incidences. Places in time where the synchronicity of the Universe was speaking to the memory of my past.
In 2004, the message was extremely abstract. Like trying to catch thoughts with a screen door.
For example: This is an abstract that I created from the Paris Casino's neon balloon in Las Vegas.
My first impression was sails, so I saved the image as "The Sails of Time."
At the time, I was using Photoshop to edit thousands of abstract photographs. In March of 2004, I could close my eyes and see a collection of afterimages mixing in my eyes.
On March 15th, I awoke from a dream in which I saw my images reflected like Rrorschachs. I rushed to me computer and made my first reflection.
I save the reflection as "The Dual Sails of Time", then I saw the heart in the middle. I save the image as "KnoWell's Heart"
As I showed the image to people, they saw various things. Deacon at the Immaculate Conception Shrine Bart deSandre saw the upside down Crucifixion. Deron Fish say a spread eagle woman. As I was showing Deron, a woman in the bar yelled, put that penis down. I could not see it, so she walked over and flipped the image upside down and point it out to me.
The odds of the coin incidences are too numerous to ignore, so I began reflecting the reflections into a four way projection, then started to write out my thoughts trying to answer the question, "How could I have been in a spirit state observing the physical world.
In the Fall of 2004, I had my answer, but I knew that I was the only person that could see it.
Earlier in 2004, I knew that David Lynch was a director and Google searches would return him instead of me. I needed a brand name, so I decided to play off of my middle name, Noel. That I KnoWell how I made the abstracts.
Little did I know that due to all the Coin Incidences, that I would look at my artist name and pullout two letters, K and W to become my signature which would before long become the foundation for the KnoWell Equation.
The below Montaj is how I derived the KnoWell Equation. The background is one photograph reflected four ways. The original is 50"x33".
Then I tried to refine my logistics for others to see. The backgrounds are two photographs reflected four ways. 50"x33"
Then I made a key to understanding the KnoWell's Emergence. The backgrounds are four photograph reflected four ways. 50"x33"
Over the next year, I refined the KnoWell Equation into its current form. The background is one photograph reflected.
I was caught in a sense of preordained deterministic destiny from which I had no escape but to continue unfolding the mystery. The odds of this just happening is astronomical.
In one Montaj I was using the planetary positions to time stamp my Montaj's creation. I inadvertently moved the planetary positions over KnoWell's Heart, and I noticed a connection.
In the blow image, I used the planetary positions of the birthdates for all of the band members of the Foo Fighters to overly them on KnoWell's Heart.
I presented to each of the band members an abstract photograph with a hand drawn personalized KnoWell on the back, The singed another of my abstracts and I created the below Monatj to document the occasion.
I documented many such gifts to numerous band members.
This link will let you click on each of the band signature Montaj to see the document.
https://www.lynchphoto.com/wallenda
Little did I know then that a complete model of the cosmos was going to emerge from two letters, K and W.
After looking at Derrida's always already, I can easily see a direct connection to KUT's Ultimaton. The realm of all probabilities.
I think that Derrida's Metaphysics of Presence is a direct connection to KUT's Entropium. The realm of all possibilities.
I will dig more into the concept of Derrida's always already, but my first impression is that Derrida's always already is a precursor for the Bulk Universe Theory.
If everything is always already, then there is no room for change. All change as already occurred. The Universe becomes a static block.
The below link is an example of Derrida's always already expressed through my DNA.
Dave
On Thursday, January 15, 2026 at 09:27:21 AM EST, Bob Harbort <bharbort at gmail.com> wrote:
I want you to Google "Derrida always already" and read up on a philosophical perspective that may at first seem irrelevant but I think has real implications for the understanding of QM that you are pursuing.
On Wed, Jan 14, 2026 at 5:12 PM David Lynch <dnl1960 at yahoo.com> wrote:
From:
David Lynch <dnl1960 at yahoo.com>
To: Bob Harbort <bharbort at earnshaw.us>
Sent: Wednesday, January 14, 2026 at 05:11:54 PM EST
Subject: Re: When Cosmology Refuses to Do Physics – Dr. Brian Keating,
DemystifySci #392
Interesting indeed.
From the block universe perspective, down at the bottom, up at the top,
over at the side, everything has always existed.
Determinism flourishes.
The sticker in that position is one simple word, "always".
Thus time is a foundational principle of geometric space.
Without the time constraint of "always", the block universe vanishes.
Since human reasoning has leveraged the continuum of linear time to
understand observed cause and effect, the result is the cosmic whim that
institutes geometry to keep everything from happening all at once.
In agreement that the Universe is a field and by implementing KUT
Ternary Time, at each instant the Chaos field of potential is rendered
into the control field of probability one geometric Planck block at each
Planck 10^43 moment of time.
In the KUT Ternary Time based Universe, time is the author of space that
must contain dimensions.
Even Einstein’s equations fail when space is expressed as a
dimensionless singularity.
By first looking at the universe as a field, or as in KUT, two opposing
fields, then providing a mechanism from which over time dimensioned
geometric structures emerge, Einstein’s equations "always" hold true.
In my lattest paper, I explain how quantum theory makes a fatal mistake
using negative infinity and positive infinity in calculations. Plus I
suggest a geometric source for the fine structure constant.
https://zenodo.org/records/18227531
By limiting quantum calculations between the negative speed of light and
the speed of light positive, the wormholes made of mirrors, the black
holes filled with rabbits, the many world made of multiverses, and
quantum theorists with Boltzmann Brains in their craniums all evaporate
into the realm of defective mathematics.
I greatly appreciate your thoughts.
On Wed, Jan 14, 2026 at 8:47 AM, Bob Harbort
<bharbort at gmail.com> wrote:
Interesting. I would argue that you have one thing backwards. I think
space is the author of time. Down at the bottom, everything always
exists and has existed forever -- the universe is a field. The cosmic
whim instituted geometric space, as the old joke goes, to keep
everything from happening at once.
On Wed, Jan 14, 2026 at 4:44 AM David Lynch <dnl1960 at yahoo.com>
wrote:
From: David Lynch
<dnl1960 at yahoo.com>
To: Anastasia,
Shiloh <demystifysci at gmail.com>; Brian Keating
<bkeating at ucsd.edu>
Cc: Bob Harbort; Fred Partus; Lawrence Silverberg
Sent: Wednesday, January 14, 2026 at 04:43:19 AM EST
Subject: When Cosmology Refuses to Do Physics – Dr. Brian Keating,
DemystifySci #392
To: Anastasia, Shiloh, and Dr. Brian Keating
From: David Noel Lynch
Date: January 14, 2026
Subject: The Hammer of the Instant: A Correction of the Mathematical Lens
Dear Anastasia, Shiloh, and Brian,
Your recent conversation regarding the Cosmic Microwave Background and the foundations of cosmology highlighted a profound "KnoWellian Schizophrenia" in modern science: the disconnect between the mathematical "Map" and the physical "Territory."
Brian, you stand as a guardian gatekeeper of the most high-precision Lens ever built—a Lens ground by equations that predict their own failure at the moment of the universe’s birth. I am writing to invite you all to look through a different Lens—one that does not break at the singularity, but resolves it.
I invite you to read "The
Hammer of the Instant", a chronicle regarding the Future Instants of
History: A short story about what I would do with the medal for
"Impossible Imagination."
https://lynchphoto.com/The_Hammer_of_the_Instant
This work is built upon three postulates that challenge the very fabric of the "Block Universe":
How the KnoWellian Universe Functions:
The universe is not a static container of facts; it is a Ternary Time (Past~Instant~Future) Loom operating at Planck Time 10^{43}$ Hz.
I have ground this new LENS using the logic of Lynch (Birth~Life~Death), the energy of Einstein (E=mc^2), the force of Newton (action equals reaction), and the epistemic humility of Socrates (all that I know is that I know nothing). It reveals that the "Big Bang" is not an event in the past and the "Big Crunch" is not an event in the future, but they are the simultaneous refresh rate of reality itself.
I ask you to venture past the limits of the possible. The speed of light is not a speed limit; it is the heartbeat of a universe that knows itself.
Solitonic KnoWellian Torus Knots: Velocity-Dependent Emergence of Spacetime and the Geometric Origin of α ≈ 1 / 137
The breath continues at the KnoWellian Universe Zenodo Community
I AM U.
Respectfully,
David Noel Lynch
P.S. Brian, your personal
website has a contact page (https://briankeating.com/contact/) that says,
"To reach him directly, please use the form below instead of email so
you can bypass the spammers."
There is no contact form on the page.